1枚のアニメの立ち絵をNano Banana Proを使って実写背景と上手くなじませるプロンプトです。
作り方はネタ元のtapehead.labさんのXを参考にしてください。
プロンプトは２つの構成に分かれており、
①シチュエーション・構図を定義するプロンプト
②実写アニメ合成用プロンプト
この記事では①のシチュエーション・構図の様々なパターンを追加していきます。
（自分の整理のため）
プロンプト集
②実写アニメ合成用プロンプトは以下です。
Placed within a live-action background that matches the illustration’s posture and composition — while faithfully preserving the illustrated texture and style. Realistic lighting, depth of field, and subtle filming effects are applied to blend the illustration seamlessly with the real environment.以下、出力画像と①シチュエーション・構図のみのプロンプトを記述。
（実際に作る時は①と②の両方のプロンプトを使う）
隅田川の手すりにもたれる、静かな午後のポーズ（tapehead.labさん作）
She leans sideways against the metal railing along the Sumida River, both arms resting loosely on top. Her upper body folds slightly forward; she shifts her weight onto one hip. Behind her, trains cross the distant bridge, sunlight glancing off windows. The shape of her posture mirrors the rhythm of the rails and horizon.深夜の屋上・街の光を静かに見下ろす
She rests her forearms on the rooftop fence, leaning slightly forward as if breathing in the cool night air. Her head tilts toward the distant city lights rather than the viewer. Her stance is relaxed, one leg bent comfortably behind the other, her silhouette following the gentle downward slope of the skyline.夕暮れの駅ホーム・風が抜ける瞬間
She stands near the edge of the quiet station platform, one hand lightly touching the pillar beside her. Her body tilts subtly toward the tracks as she watches the distant train lights, head angled slightly downward and to the side, not facing the camera. A gentle breeze lifts a strand of her hair as she shifts her weight onto one leg, mirroring the slow rhythm of the evening trains.
She leans over the aged wooden balustrade, one arm folded loosely across her ribcage while the other props her posture. Her chin lifts subtly toward the night sky, avoiding the camera completely, as her body curves in the same upward direction as the passing meteor trails.海辺の桟橋の先で、片膝を抱えて座る少女
She sits at the edge of the wooden pier, one knee drawn lightly to her chest while the other leg dangles over the water. Her arms wrap loosely around her raised knee as she leans her weight slightly forward, watching the soft waves shimmer below her. Her gaze is fixed on the rippling reflections rather than the viewer, and her posture flows with the gentle rocking of the tide.夜のバス停、ベンチに深く腰掛けて前傾姿勢に
She sits on the old metal bus-stop bench, shoulders relaxed as she leans forward with her elbows resting lightly on her thighs. One hand dangles between her knees, the other brushing a stray lock of hair behind her ear. She watches the distant headlights approaching through the fogged glass panel, never turning toward the camera. Her entire pose echoes the hush of the late-night street.古書店の床でしゃがみこみ、本棚を覗き込む姿
She crouches low near the bottom shelf of a dimly lit bookstore, one knee touching the wooden floor while the other leg bends naturally for balance. Her torso leans inward as she reaches toward a worn paperback, head angled sideways to read the spine. Her posture curves with the narrowing aisle, creating a quiet, intimate rhythm with the surrounding books.カフェの大きな窓辺に背中を預け、片足を曲げて座る
She sits sideways on the cushioned window seat, one leg bent up on the bench while the other dangles loosely. Her back rests gently against the window frame, and her arms drape over her raised knee. She gazes outside at the passing people, chin slightly lifted, posture soft and relaxed. The curve of her body echoes the warm afternoon light spilling across the table.公園の階段に腰をかけて靴紐を結ぶ
She sits halfway down the stone steps, leaning forward as she ties the laces of her shoe. One foot rests on a higher step, giving her posture a natural asymmetry. Her head turns slightly downward toward her hands, hair cascading over her cheek. The lines of the steps guide the viewer’s eye along the same direction as her folding posture.都市の陸橋の下、スケッチブックを膝に乗せて座る
She sits cross-legged on the concrete ledge beneath the overpass, a sketchbook resting on her lap. Her upper body bends forward slightly as she draws, shoulders shifting with concentration. She never faces the camera; instead, her eyes follow the lines she creates. Her silhouette blends into the rhythmic shadows cast by the structure above.田舎の駄菓子屋でガチャガチャを回す
She crouches down in front of a tiny countryside dagashi shop, both hands firmly gripping the old gashapon machine as she turns the handle. Her knees are close together, elbows resting slightly on her thighs as she leans in with quiet focus. The faded plastic capsule machine sits beside a weathered wooden storefront. A warm, nostalgic sunset glows across the scene, dust drifting softly in the air. The rural breeze ruffles her hair as she waits for the capsule to drop. The moment feels intimate and emotional—like a memory from childhood, quiet and cinematic.廃工場の作業台に腰掛け、指先で埃をなぞる
She sits on the edge of a rusted workbench inside an abandoned factory, one foot dangling while the other lightly brushes the dusty floor. Her body leans forward as she quietly traces a line in the dust with her fingertip. Faint, broken sunlight from high windows cuts across her silhouette, echoing the downward bend of her posture.体育館のステージ裏、片膝を立てて腰を下ろす
She sits on the wooden floor behind the gym stage, one knee raised while the other leg stretches out. Her elbows rest on the raised knee as she tilts her head slightly downward, listening to distant echoes of footsteps fading away. The asymmetry of her pose mirrors the half-lit curtains beside her.横断歩道を渡る途中のふとした視線
She is captured mid-stride while crossing a sun-dappled pedestrian walkway. Her body is angled diagonally toward the camera, but her face is turned slightly back toward the sidewalk she just left. One arm swings naturally with her momentum, while the other clutches a paper grocery bag against her side. One heel is lifted high off the ground, showing the weight shifting onto her front foot.
夜の自動販売機の前
Drinking canned coffee,Facing the vending machine,side view,Reaching out to press a vending machine button, one arm extended forward, body leaning slightly, illuminated by colorful vending machine light in the night street, reflections on the ground,cinematic contrast lighting, emotional urban atmosphere,
squatting down,Facing the vending machine,side view,Reaching out to press a vending machine button, one arm extended forward, body leaning slightly, illuminated by colorful vending machine light in the night street, reflections on the ground, casual slice-of-life pose, cinematic contrast lighting, emotional urban atmosphere,ひな祭り
雛人形を丁寧に箱から取り出す（準備の瞬間）
She is kneeling on a tatami floor, leaning forward with her torso tilted as she carefully lifts a small, ornate doll from a wooden box filled with white tissue paper. Her hands are held close together, palms cradling the delicate figure with precision. Around her, several open boxes and silk wrappings are scattered in disarray. The soft light from a nearby shoji screen illuminates the side of her focused expression and the gentle curve of her back.雛壇の前で「ひなあられ」をつまむ（リラックスした午後）
She sits cross-legged on a floor cushion in front of a grand, red-carpeted seven-tier doll display. Her back is slightly slumped in a relaxed posture, and she holds a small, colorful bowl of puffed rice crackers in her lap. One hand is frozen mid-air, holding a single pink cracker near her mouth as she gazes up at the dolls. The vibrant red of the "hina-dan" steps dominates the background, creating a sharp contrast with her casual, unhurried pose.桃の花の枝を花瓶に活ける（季節を整える）
She stands by a wooden sideboard, her body slightly twisted as she reaches toward a tall ceramic vase. She holds a long branch of budding pink peach blossoms with both hands, adjusting its angle with her fingers. One shoulder is shrugged higher than the other due to the reaching motion. On the sideboard next to the vase, a pair of Emperor and Empress dolls sit quietly under a glass case, partially obscured by the shadows of the flower petals.縁側で「白酒」を飲みながら一休み（静かな境界線）
She is perched on the edge of a wooden "engawa" veranda, her feet dangling just above the garden stones. She leans her weight back on her hands, tilting her head up toward the pale spring sky. A small, shallow lacquer cup of white sake sits on the floorboards beside her. The sliding doors behind her are open, revealing the dim interior of the room where the silhouettes of Hinamatsuri decorations are faintly visible in the soft shadows.スマートフォンで雛飾りを撮影する（現代の日常）
She is crouched low on the floor, balancing on the balls of her feet in front of a miniature doll display. She holds a smartphone horizontally at eye level with both hands, elbows tucked in tight to stabilize her shot. Her gaze is fixed intently on the phone's screen, framing the diamond-shaped "hishimochi" cakes on the bottom tier. The low-angle perspective emphasizes the height of the decorations and the concentrated tension in her bent knees and shoulders.
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